In Defence Of Showgirls


As part of our new occasional series in which we defend the indefensible, David Flint explains why Paul Verhoeven’s Showgirls is a masterpiece.

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Review: Malatesta’s Carnival Of Blood


Formerly part of Arrow’s American Horror Project series, this is a bizarre, one of a kind slice of outsider horror cinema from the 1970s. Continue reading “Review: Malatesta’s Carnival Of Blood”